I know the angle, don't get me wrong.
No, I mean the literal angle. This would call for a low, up-angle tracking dolly shot as she marches down the hall with a grim expression. Cue low, dissonant tone. Cut to: hand-held over-the-shoulder follow shot from Omarosa, key on guard. Cut to: static over-the-shoulder from guard, key on Omarosa. Tones rise, still dissonant, to crescendo, one more beat of tension as she reaches the checkpoint, aaaaaand commercial break.