LTC8K6
Penultimate Amazing
Do you mean reversed in their order, or reversed like a flipped negative?
While I agree with the majority of what you say, if you are going to make statements like that, you should be required to evidence this. Until someone finds a female bigfoot and can accurately assess the movement of any breasts - that is only an assumption on your part and your opinion. I stay away from statements like that - less I be accused of trying to sound like I know something I clearly can not. If I said "Its a fact" about anything seen in the patterson film, you would jump all over me, and rightfully so.
Wow, thats a lot of assumption. You cant even prove its a real animal or not - no one can.
Yes, but we have been discussing BH - not Roger Patterson.. All I ask is if your gonna jump around just let me know.
How could I possibly know that? I wasnt there back then
There are certainly bits of film shot by Patterson that have not come to light. There's a whole reel at least. Therein could be proof of a hoax or just more grist for the mill.
I have never read any comments by this Napier person - could you direct me toward something I can read? I would like to.
From http://www.strangemag.com/pattersonfilm30th.htmlIn his book Bigfoot; The Yeti and Sasquatch in Myth and Reality, John Napier, an anatomist and anthropologist who served as the Smithsonian Institution's director of primate biology, devotes several pages to close analysis of the Patterson film (pp. 89-96; 215-220). He finds many problems with the film, including that the walk and size is consistent with a man's; the center of gravity seen in the subject is essentially that of a human; and the step length is inconsistent with the tracks allegedly taken from the site. Don Grieve, an anatomist specializing in human gait, came to the conclusion that the walk was essentially human in type and could be made by a modern man. Napier writes that "there is little doubt that the scientific evidence taken collectively points to a hoax of some kind."
From http://en.wikipedia.org/wiki/Patterson-Gimlin_film#John_NapierBigfoot sympathizer John Napier, then-director of the Primate Biology Program of the Smithsonian Institution, wrote in his excellent book Bigfoot: The Yeti and Sasquatch in Myth and Reality (E.P. Dutton & Co., Inc., NY, 1972), that the walk of the creature in the film was consistent with that of a modern man, that the body movements were grossly exaggerated, and the walk self-conscious, that the cone-shaped top to the skull is essentially a male characteristic "only very occasionally seen, to an insignificant extent, in females." Furthermore he felt that the center of gravity of the film subject is that of a modern man, rather than at a higher level as suggested by the physical build of the creature.
Most telling perhaps is "the presence of buttocks, a human hallmark, [which] is at total variance with the ape-like nature of the superstructure.... The upper half of the body bears some resemblance to an ape and the lower half is typically human. It is almost impossible to conceive that such structural hybrids could exist in nature." (Napier, p. 86)
Napier, one of the most reasonable of the scientists who accepts the possibility for the existence of Bigfoot, concluded that, "There is little doubt that the scientific evidence taken collectively points to a hoax of some kind. The creature shown in the film does not stand up well to functional analysis." (Napier, p. 89)
I'm including this from http://www.skepticfiles.org/skeptic/yeti.htm but there's no indication of exactly where he made these supposed comments:"I could not see the zipper; and I still can't. There I think we must leave the matter. Perhaps it was a man dressed up in a monkey-skin, if so it was a brilliantly executed hoax and the unknown perpetrator will take his place with the great hoaxers of the world. Perhaps it was the first film of a new type of hominid, quite unknown to science, in which case Roger Patterson deserves to rank with Dubois, the discoverer of Pithecanthropus erectus, or Raymond Dart of Johannesburg, the man who introduced the world to its immediate human ancestor, Australopithecus africanus" (Napier, 95).
These sources were obtained by Googling, and though I read his book many years ago, I don't personally have a copy.1) The walking style of the Patterson sasquatch is generally consistent
with that of Homo Sapiens
2) The adence of the walk is "self-conscious" and very exagerated
3) In spite of the heavy breasts, the walking style is that of a human male
4) The cone-shaped skull is definitely non-human, but occurs in adult
male orangs and gorillas. Essentially, it is a male characteristic only
very occasionally seen in females, and then to a greatly lesser extent
5) The creature's build (heavy neck, shoulders and chest) strongly suggest
the center of gravity for this creature would be considerably higher than
in man. In spite of the that, the mechanical baseline of moving the center
of gravity through space is, on the Patterson Sasquatch, precisely where it
would be on a modern Homo Sapiens.
6) The Patterson creature has a cone-shaped skull, an adaptation that
allows for more surface area to attach chewing muscles, which is found in
animals that eat primarily ruffage. Animals that eat primarily ruffage must
always have a pot-belly, since the ruffage digests slowly and builds up in
the stomach. This happens in gorillas, chimps, and orangs. The Patterson
Sasquatch has a flat stomach, so it must not be a ruffage-eater. Therefore,
the skull-crest makes absolutely no sense on the creature.
7) The prints that were found at the Bluff Creek sight by Patterson measure
14-15 in, suggesting a corresponding height of between 7'8" and 8'3" for
Patterson's Sasquatch. The length of the step, however, was a mere 41 in.
This would suggest a stature of about 6'4" or 6'5" (well within human limits).
This disparity might explain why the walk was so grossly exagerated in the
film.
The actor playing the Sasquatch purposely stamped his feet down to make better
impressions to support Patterson's story.
Dr. Dmitri D. Donskoy did a "qualitative biomechanical analysis of the walk of the creature in the Patterson film", and his report is included as an appendix to the 1973 book Sasquatch, by Hunter/Dahinden.I also dont know if people did or did not comment early on about the gait.
Thanks for that, I will be sure to impart your wisdom on the actual scientists involved in the research, I am sure they will get a kick out of your comment. LMAO
Its erect attitude in locomotion, the gait, stride and manner of that locomotion, as well as the relative proportions of pelvic to pectoral limb, are all manifestly human, commented Dr. Osman Hill, Director of Yerkes Regional Primate Research Center, and Emory University.
Dr. John R. Napier, Director of the Primate Biology Program, Smithsonian Institute, was quoted in the article as saying that, in his opinion, nothing about the film would point conclusively to a hoax. He also stated that he was satisfied that the walk of the creature shown in the Patterson-Gimlin film was consistent with the bi-pedal striding gait of man. Napier also conceded that the bodily proportions of the creature appeared to be within normal limits for man.
Dr. Wm. Charles Osman-Hill: The creature portrayed is a primate and clearly hominid rather than pongid. Its erect attitude in locomotion, the gait, stride and manner of that locomotion, as well as the relative proportions of pelvic to pectoral limb are all manifestly human, together with the great development of the mammary glands. This does not, of course, preclude the possibility that it is indeed a Homo sapiens masquerading as a hairy 'giant'. All I can say, at this stage, is that if this was a masquerade, it was extremely well done and effective.
Dr. John R. Napier: I observed nothing that, on scientific grounds, would point conclusively to a hoax. I am satisfied that the walk of the creature shown in the film was consistent with the bipedal striding gait of man (except in the action of the feet, which were not visible). I have two reservations which are both subjective: First, the slow cadence of the walk and the fluidity of the bodily movements, particularly the arms, struck me as exaggerated--almost self-conscious in comparison with modern man; second, my impression was that the subject was male, in spite of the contrary evidence of heavy, pendulous breasts. The bodily proportions of the creature, as far as could be seen, appeared to be within normal limits for man. The appearance of the high crest on top of the skull is unknown in man, but given a creature as heavily built as the subject, such a biomechanical adaptation to an exclusively fibrous raw vegetable diet is not impossible. The presence of this crest, which occurs only in male non-human primates, such as the gorilla and the orangutan, tends to strengthen my belief that this creature is a male. Finally, it might be supposed that a creature with a heavy head, heavy jaw and musculature and a massive upper body would have a center of gravity placed at a higher level than in man. The position of the center of gravity modifies the gait and the easy stride shown in the film is not in harmony with a high center of gravity. The opinions I have expressed on this remarkable film are those of an expert witness, rather than a member of a jury.
Dr. Bernard Heuvelmans. His comments are as follows:
In all furry animals the hair has a definite pattern, that is, on each area of the body the hairs are oriented in a certain direction. For instance, on a chimpanzee's arm, or even on a man's if he is hairy, they go down from the shoulder to the elbow, and up from the wrist to the elbow. This definite hair pattern can be seen even on photographs of animals from the way the light shines on their fur.
On the creature shown on Patterson's film there is nothing of the sort. As can be seen from the way the hairs shine, giving the fur a speckled appearance, they point in all directions (compare the blowups of the film with photographs of gorillas or, better, of certain bears, which have 'short, shiny, black hair', and you will see that in the latter, the shine on the fur shows that on each part of the body the hairs all point in the same direction).
The aspect of the hair of the creature in the film is exactly what should be expected from artificial fur--whether thick velvet or nylon fur--in which all threads (not actually hairs) are attached uniformly on some canvas base. When you stroke this material in different directions, the artificial hairs get bent in these directions and remain so until you brush them all carefully in the same direction.
Patterson adds--which is also seen in the film-that 'even her big, droopy breasts' are covered with short shiny black hair. This would of course be possible in some unknown species of man, but it would be rather improbable to say the least. In all larger apes the breasts have a slight tendency toward swelling, and even dropping a little, when the female is nursing its baby or if it has been nursing many of them, but even in such hairy primates the chest is almost naked.
I want to add that this (to me) obvious hoax does not shake at all my firm conviction that some large unknown human-like primate lives in the northwest of the United States and in the western provinces of Canada, not to mention of course certain mountain ranges of northeastern and central Asia."
See how easy that was LTC. I have reading to do
LTC said:I never said I would not provide the info. I merely questioned how well you knew the subject.
It seems to me that JREF PGF skeptics are far more informed and knowledgable about the PGF and the various historical testimonies about it (including the words of P&G) than are the Pattycakes that come here and argue for its authenticity. It's a shame that JREF skeptics aren't arguing against anyone with equal PGF research and interest. Yes, it often appears that the skeptics pay more attention to the PGF than the believers do.
Thank you RayG.
I have reading to do![]()
On October 26, 1967, the film was shown at the University of British Columbia (U.B.C.). Two screenings were conducted. The first screening was given to University scientists only. The second screening was to university scientists and Don Abbott and Frank Beebe (both of the British Columbia Provincial Museum). Roger Patterson and Bob Gimlin were at both sessions to answer questions. They also showed the audience the casts of the footprints found at the film site. Whether or not the second film roll was shown at these sessions is not clear. John Green, who was present, states this roll was shown; Rene Dahinden, also present, says it was not shown. Unfortunately, this roll vanished in the early 1970s.
The university scientists were under strict orders not to comment one way or the other on the authenticity of the film. To this day, there has been no official comment from this group. The museum people, Frank Beebe and Don Abbott, however, were not restrained. Frank Beebe, although impressed with the film, implied the strong likelihood of a hoax. Don Abbott did not give a personal opinion at this time. A press screening and conference was held later the same day. Subsequent newspaper reports were given very high profile.
No problemo Melissa, Google is mah bess fren.
You may want to see if your local library can get you a copy of his book on an intra-library loan. I've gotten a few that way and it's a lot cheaper.
RayG
LTC said:You came in here talking as if you knew a lot about the issue, Melissa. Then when I mentioned some well known info, you didn't have a clue. What was I supposed to think?
Dont bad mouth me, because your unwilling to quote your own sources.
Yet still, as you say, money is being provided for this research. Resources are spent. But none for finding Bigfoot. You admit that the case for the IBW is week. Yet it is orders of magnitude more solid than the evidence for Bigfoot. That's why money is spent to find the IBW, but no one (besides believers) spends it for Bigfoot.
Why are JREF skeptics continually faced with arguing against uninformed Pattycakes?